Prensa
HEADLINE: PENA'S TECHNIQUE WAS FLAWLESS, FROM SILKY TREMOLOS TO FIERY STRUMMED RASGUEDOS'
 
'Pena is noted for amazing technical fluency and expressing nunace, but above all for interpreting the bravura display into the totally true, spontaneous statement of emotion he sees as the heart of flamenco.'
Los Angeles Times, John Henken - April 1991
 
 
HEADLINE: MIXING THE DIVINE AND THE DARING
 
'...the most fascinating blend of sacred and profane this revered hall had witnessed.'
The Evening Standard, James Woodall - June 1991
 
 
HEADLINE: HIS MUSICIANS AND SINGERS CHARISMATICALLY EXPRESS LOVE OF FREEDOM, RESIGNATION UNDER OPPRESSION AND AN UNCONQUERABLE FAITH THAT SOARS FROM AN ANGUISHED SOUL
Time Magazine, Andrea Sachs - October 1991
 
 
Paco Peña demuestra, como creador, que es no sólo un guitarrista flamenco excepcional, sino también un músico, sin adjetivos limitadores, capaz de cualquier empeño.
Hay partes de esta misa que tienen el empaque de música sinfónica, brillantez y esplendor literalmente deslumbradores.
 
La Misa flamenca de Paco Peña es ya, sin duda, un hito de especiales connotaciones en este género de obras.
El Pais, Angel Alvarez Caballero - April 1992
 
 
HEADLINE: PENA'S INTRICATE GUITAR MELODIES SEEMED TO FLOAT OUT TO INFINITY
The Washington Post, Marion Jacobson - April 1993
 
 
'The flamenco guitarist Paco Pena brought his exuberant 'Misa Flamenca' to New York for the first time and came up with more than the usual treatment of indigenous forms in a folk mass.'
New York Times, Anna Kisselgoff - April 1993
 
 
HEADLINE: THE MISA IS THAT RAREST OF THINGS, A TOTALLY SUCCESSFUL FUSION OF DISPARATE FORMS 
The Boston Globe, Elijah Wald - April 1993

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